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McNamee presents us with a wonderful contradiction of physicality. byeach of the 4, sheets of uniquely printed but ordinary persomals newspaper has been hand laminated into a monumental pound block of cellulose, ink and glue. That wispy and weightless act of licking your fingertip and effortlessly turning each of your morning newspaper is transformed, through the painstaking repetition of gluing and clamping, into an unexpected juggernaut.
Nina is always playing with gender identity and art historical representation. Schwanse provocatively disguised to perform all of the various louisisna service archetypes that a-guy-I-know-told-me are popular on the internet.
I suspect many me in the guilty pleasure of decoding the provocative personals in the back of newspapers. Another classified pertains to top-secret information.
A web based artwork that spills into the gallery that has become a cross media installation of video, photography, printed, matter and expressive painting. The flimsy cards seem the kind you might find behind the seat of a rented limousine in Vegas. The accompanying stop motion video of the process is also unreadable as the stack of paper grows at 24 paper-thin sheets per second until one year has passed.
First we get BabeRental.
Christopher Saucedo. Nina presents a one-year calendar as well and although both artists embrace performance and process, Aaron remains secrwt sculptor and Nina remains the painter. Twelve theatrical, sassy and self-aware female personalities manifest in BabeRental.
I secreet them when I have time to kill waiting for an oil change. As a kid it was the stuff of cold war spy thrillers but now, thanks to that WikiLeaks dude Jullian Assange, I search for it on-line.
Scientific classification from the age of Charles Darwin was yet another direction. No longer separate individual leaves we are only reminded by the feathery uneven edges of what once was.
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Even the images and text of the first and last have been blurred to deny any specific information of the now old news. Classified advertisements, those short cryptic in the back of handout newspapers announce all kinds of unusual things. One entire and complete year of the Times Picayune newspaper has been fastidiously glued together and is presented standing on edge.
The subject erases herself as she provocatively shoots a kind of visual antimatter into her face and all over her body. The gallery floor is covered with thousands of cheaply printed escort business cards Marketing Strategy No.
The white oozing paint makes its maleness clear but it is the splattered nail-polish-red paint, which is clearly not violent blood but rather a sickeningly-sweet-as-candy hue that keeps the gender dialogue fresh. They both present us with laborious process, ritualistic performance and a provocative but logical resultant.